Author: Bryan

  • The Place Beyond the Pines

    I had heard The Place Beyond the Pines (2013) compared favourably to Derek Cianfrance’s earlier film Blue Valentine (2010). I thought the latter was quite good when I saw it last year, so I wondered whether his new effort would measure up. I was especially dubious as the trailer looked like a (stunt) vehicle for capitalizing on Gosling’s success…

  • High Noon

    I found High Noon (1952) a bit tedious. Despite its famous title I actually knew very little about it before watching it, so it’s not a case of overly high expectations. I got a bit more excited during the credits as it has a great cast (Gary Cooper, Grace Kelly, Lloyd Bridges, Lee Van Cleef) but…

  • Cooked

    Cooked is the first Michael Pollan book I’ve read, but it won’t be the last. Loosely, it’s a history of cooking through Pollan’s personal experience of learning to cook. Alongside this journey he develops theories about how cooking fits into human evolution, and what it means that modern humans are spending an ever-diminishing amount of…

  • Notes from a Small Island

    Bill Bryson’s Notes from a Small Island, a humorous travelogue from two months of taking public transport around the United Kingdom, is worth a read, particularly if you are a foreigner living here. From the reviews on Amazon UK it appears to be even more entertaining to Brits as a keen view from the outside.…

  • Dans la maison

    I don’t have a great deal to say about François Ozon’s Dans la maison (2013). It’s a decent thriller with some good comedy. It starts out strong with a reference to Scorpio Rising (1964) but the ending is a bit mediocre, with a reference to Rear Window (1954). In between its well-acted, charming/creepy teenage protagonist…

  • The Pillow Book

    I found Peter Greenaway’s The Pillow Book (1996) pretty difficult to get through. Although it’s just over two hours long, it actually took me a few weeks to finish it, and it felt longer and was less enjoyable than Shoah (1985), which as a nine-hour documentary about Nazi death camps, is saying something (by comparison I finished…

  • Sons and Lovers

    D.H. Lawrence’s Sons and Lovers (1913) is a sort of bridge between two centuries of literature. Its length, breadth, and the length of time it narrates make it a close relative of the Victorian novel. However its concern with themes of sexual frustration, alienation, and meaninglessness place it thoroughly in the twentieth century. If it’s…

  • Funny Games

    Haneke’s original Funny Games (1997) is a powerful, unforgettable film. It’s suspenseful and provocative. It implicates its viewers in its transgressions, forces them into the position of voyeurs, and challenges them on other levels. It is an extreme counterpoint to glamorized Hollywood violence. All these things sound positive, but in fact I cannot in conscience…

  • Orphée

    Although it’s short, Orphée (1950) begins quite slowly, and feels interminable for its 96 minute runtime. A large part of the problem is that the film does away with critical parts of the Orpheus story, pointlessly inserting bewildering elements of its own invention. It’s still worth watching to see Cocteau’s unique vision, but I am going to…

  • Hangover Square

    I saw the 1945 film adaptation of Hangover Square long before I knew it was based on a 1941 novel of the same name by Patrick Hamilton. I’ve just finished reading the novel for my book club, and from what I remember of the film it’s quite a loose adaptation. The novel starts off a…