Because the only Pasolini film I had previously seen was the harrowing Salo, or the 120 Days of Sodom (1975), I began The Gospel According to St. Matthew (1963) with some trepidation. I expected it to be dark, visceral, and transgressive. It turns out to be a refreshingly straightforward adaptation of the book of Matthew, with none of the horrors of Salo, his final film. Continue reading
I had heard The Place Beyond the Pines (2013) compared favourably to Derek Cianfrance’s earlier film Blue Valentine (2010). I thought the latter was quite good when I saw it last year, so I wondered whether his new effort would measure up. I was especially dubious as the trailer looked like a (stunt) vehicle for capitalizing on Gosling’s success in Drive (2011). But the positive reviews were from sources I trusted, and they were right: The Place Beyond the Pines is better.