Author: Bryan

  • Top 10 Books I read in 2018

    I’ve just begun my fiftieth book of the year, The War of Art, by Steven Pressfield. Like the last book I read, I discovered it via Derek Sivers, who reviewed it on his site. It’s been an interesting read so far, on overcoming one’s own resistance to ambitious endeavours. It’s inspirational, but so far does […]

  • Committing to Meditation

    I’ve been meditating daily since November 2016. A practice as short as ten or fifteen minutes per day has drastically improved the quality of my daily experience. Nothing else (exercise, antidepressants, moving countries, changing jobs, successes, failures, etc.) has had anywhere near the effect that a short, daily meditation practice has had on my happiness.

  • Redecentralize

    Last night I was lucky enough attend a meetup hosted by Redecentralize.org at Newspeak House in East London. This included a talk by one of the organisation’s founders, followed by “project speed dating session”, which provided attendees with rapid-fire eight minute introductions to six projects in the diverse decentralisation space. These included the distributed computing […]

  • The Clock, Part 4: Interstice

    Christian Marclay’s The Clock (2010) is an ambitious 24-hour montage stitched together from feature films and TV shows. Each clip, ranging from a split second to a few minutes, takes place during the time of the day at which it plays. Over the next few months, I will attempt to see all twenty-four hours at the Tate Modern […]

  • Through a Glass Darkly

    What is it? A weekly chance to meet face-to-face and discuss a wide range of intellectual topics, in an analogue fashion; the idea is to disconnect from the internet and to connect in person. I’ve decided to set up a separate site for it which can be found here.

  • The Clock, Part 3: Graveyard Shift

    Christian Marclay’s The Clock (2010) is an ambitious 24-hour montage stitched together from feature films and TV shows. Each clip, ranging from a split second to a few minutes, takes place during the time of the day at which it plays. Over the next few months, I will attempt to see all twenty-four hours at the Tate Modern […]

  • The Clock, Part 2: Matineé

    Christian Marclay’s The Clock (2010) is an ambitious 24-hour montage stitched together from feature films and TV shows. Each clip, ranging from a split second to a few minutes, takes place during the time of the day at which it is played. Over the next few months, I will be attempting to see all twenty-four […]

  • The Clock, Part 1: Introduction

    Christian Marclay’s The Clock (2010) is an ambitious 24-hour montage stitched together from feature films and TV shows. Each clip, ranging from a split second to a few minutes, takes place during the time of the day at which it is played. Over the next few months, I will be attempting to see all twenty-four […]

  • The Elephant in the Brain

    The Elephant in the Brain (2017) is at times an uncomfortable read, but well-worth it for anyone willing to undertake its introspective incursion.  Programmer Kevin Simler (of the fascinating Melting Asphalt blog) and economist Robin Hanson explore why we are prone to self-deception about our motives, and how this deception can shed light on otherwise inexplicable […]

  • The Reivers

    Faulkner’s final novel The Reivers, written in 1962, is something of an uncharacteristic masterpiece. The narrator, Lucius Priest, is an old man recounting adventures from when he was an eleven-year-old boy, in 1905, just as automobiles first arrived in Jefferson, Mississippi. His grandfather, Boss Priest, who owns one of the few cars then in existence, goes […]